1. Program
  2. /
  3. Things, people and images in motion

Things, people and images in motion

More than ever before, our world is determined by mobility: whether for professional reasons, tourism or forced by war and conflict, people around the world are on the move. However, who is allowed to travel and who is not is unequally regulated. Depending on the term "expat", "tourist" or "migrant", these concepts are used to differentiate who has a right to mobility and who does not. A closer look reveals even more that mobility is not a right accessible for all, but depends on income, one’s residence status and physical ability. And in times of Corona everything is different again.  Completely different rules apply to the world of things and goods than to human travelers, as the former are often allowed to freely move around in global trade networks without any problems. In contrast to the laborious and risky beginnings of world trade of the caravans traders, today millions of goods and commodities are on the move around the globe.

We invite you to join us in describing, illustrating and animating different forms of travel, people and things. Based on various routes, means of transport and travel destinations, we investigate all forms of mobility that transport people as well as goods and commodities from one place to another. 

In a serie of workshops, we deal with different forms of being on the road of people and things. Based on various routes, means of transport and travel occasions, we investigate forms of any kind of mobility that lead people as well as goods and goods from one place to another. 

Based on the considerations and personal experiences of the participants, we will develop scenes that they will then process in animations. After all, what better way to tell about mobility than with “moving” images? We are inspired by the origins of  film, in which the process of movement, in contrast to digital technologies, is still visible: the Zoetrop, the Thaumatrop, the Laterna Magica and the flip book. We experiment with these old moving-image devices analoge filmaterial and animations. 

Funded by Berliner Projektfonds Kulturelle Bildung