كذبة بيضاء

Patrick's relationship with his mother, Randa, is a complex web of lies, guilt, and love, explored through a collection of their audio messages and video calls. Set against the contrasting backdrops of his life in Belgium and hers in Lebanon, the film delves into the intimate, often humorous dynamics between mother and son. As Patrick reflects on their interactions, Mea Culpa becomes a poignant exploration of identity, questioning how national and sexual identities intersect and shape the experiences of a young Palestinian emigrant. Through this personal lens, the film captures the tension between familial expectations and the desire for self-acceptance. (S)

Patrick Tass is a Belgian director of Palestinian origin, born in Beirut in 1992. He is currently directing two short films and co-writing a feature-film. In his works, Patrick focuses on themes such as identities and sexualities.