With Sailesh Naidu, Natascha Nassir-Shahnian, and Gabriel Bihina Arrahnio. Moderated by Diane Izabiliza
This panel will examine the layered challenges of producing BIPOC queer cinema in Germany, where racism, diversity, and the commodification of identity intersect. We will critically assess how BIPOC queer filmmakers navigate a cultural environment that often exploits diversity as a marketable asset while sustaining systemic inequalities. The conversation will explore the intricacies of securing financial support, where terms like “diversity” and “inclusion” are frequently used as tokens rather than as genuine commitments.
Panelists will discuss the fine line between authentic representation and the fetishization of marginalized identities, highlighting the risks of surface-level portrayals that prioritize market appeal over meaningful cultural expression. Additionally, the discussion will explore how cultural and racial biases shape funding opportunities and reinforce pressures to conform to reductive narratives, ultimately questioning how the industry can move beyond tokenism to foster more substantive and equitable forms of representation.
Diane Izabiliza is a freelance cultural scientist and filmmaker and has worked as the co-director of the Berlin Project Fund for Arts Education. Her work centers on gender, racism and postcolonial theory, with her film “Die Mauer ist uns auf den Kopf Fallen” (2018) featured at various festivals.
Sailesh Naidu is a writer, filmmaker, and researcher. Their debut short film “DogFriend” was nominated for the Deutsch KurzFilmPreise.
Natascha Nassir-Shahnian is a facilitator, pleasure activist, and filmmaker. She is part of the scriptwriting and directing department at filmArche e.V.
Gabriel Bihina Arrahnio is a filmmaker and graduate of Film University Babelsberg KONRAD WOLF. He is the guest curator for our “Beyond Borders” section.
Free entry with prior ticket reservation